Guillotin became one of the unfortunates who met the apparatus professionally, but that little tidbit may be apocryphal.
In any event, the guillotine has enjoyed a long and popular run in several European countries.
The severing and restoring of a head, human or otherwise, is an act much older than the efficient French apparatus, but the instantly
recognized form of their instrument has made it the popular version for both criminal and magical
presentations.
Since it is an object that no one in your audience will ever deal with except in the pretend world of motion pictures, television shows, and live theatre, it has none of the queasier drawbacks of similar devices such as electric chairs, gas chambers, and other still-current execution methods.
It is, quite honestly, one of the very best illusions available especially for comedy routines. I will not spell out my popular routine here, but, rather, give you some thoughts to consider. I hope you will favor me and, then, through me the rest of The NEW TOPS readers, with your thoughts on this act.
The simple situation of placing an innocent audience spectator in the vulnerable position that the
variations of this illusion creates is classic humor. As long as you have shown yourself to be a skilled, competent performer up to this point so that your audience does not really fear for the assistant's safety, the laughs will come. They will, of course, be somewhat stronger for a seven foot guillotine than a Disecto, but they will be there.
For most of you the choice will have to be between the chopper effects