|
|
|
|
|
|
|
|
|
|
|
|
|
the kind of shows he's invited to work. There's nothing wrong with a beginner asking $25 for a child's birthday party show. With
experience the fee usually goes up reflecting more self-assurance and, perhaps, a greater investment in props. The talent of the act should attract more attention and progress beyond the birthday party circuit. General Motors won't be auditioning $25 magicians when they need entertainment no matter how good that performer may be.
|
|
|
|
I saw my first issue of The NEW TOPS magazine over twenty years ago. The columnists were people I knew little about unless they were also mentioned in my early teenage bible - the Abbott's Catalog. I certainly didn't know George
Johnstone. I guess he was old even back then, but I started reading his columns. I still read what George writes and I think he has gotten a lot smarter.
If you recognize this compliment as a variation of the saying that your parents get smarter as you grow older, you're right. George peppers his monthly musings with plenty of hoary jokes, but his practical suggestions from years of experience are valuable. Keep it up, Mr. Johnstone.
Young John M. Gabala in
Selinsgrove, Pa., wrote a nice letter, but lamented that he has failed to present a financially profitable performance. I noted that 14 year old John specified "financially", so I can assume that he is artistically happy. One can argue which is harder; to succeed financially but without artistic merit, or vice versa.
I think John should concentrate on doing his shows as best he can. He should always strive to present effects his own way and develop a personal style and character. I think profitability will come soon. Is John charging enough? I don't know but I hope he sees a gradual change in
|
|
|
|
|
|
|
|
|
We consumers have an expectation of what something is going to cost. Magicians fit into these economics, too. Unfortunately, I find too many magicians who ask fees beyond their capabilities. There are very few who underprice themselves.
I have more respect for the amateur who turns down a date knowing that he is unable to provide the caliber or magnitude of entertainment required than for the professional who accepts the "challenge" of a date beyond his means and abilities.
Somewhere in the USA, the "Great Amaze-O" is the king of all the birthday parties, cub scout meetings and church socials. In front of
|
|
|
|
|
|
|
|
|
|
|
|